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The book is full of… funny and keenly observed details. Blessed be any woman willing to tell the truth about heels.
Morrisroe’s sparkling writing carries her through. That her journey ends happily, with her discovery of Qigong, means readers will be as encouraged as well as informed, with as much on overcoming insomnia as avoiding snake-oil salesmen.
The best memoirs take us inside the person’s past and this is what Morrisroe has succeeded in doing brilliantly… you will be tossing and turning with amusement.
Chatty and endearing, this episodic memoir flows … Morrisroe recreates many of her shoe lust milestones growing up in the 1960s in Andover, Mass., shopping for white Mary Janes, wedgies, Beatle boots, and ghillies…Straightforward and funny, Morrisroe proves to be a great companion as she navigates shoe stores, high heels, and foot fetishes.
In this riveting biography Morrisroe comes a lot closer to the real man and his times than have all the pious tracts and memoirs… Anyone who was there will find the book perhaps the truest picture to date of an important corner of the New York art and social world during the past twenty years… The book is a valuable corrective, and a major study of the darkly shaded life of an American artist.
Patricia Morrisroe writes with the sharpness of a stiletto and the wit of a Louboutin.
Author of Shocked: My Mother, Schiaparelli, and Me
A weird, wonderful journey in search of a good night’s sleep.
An engrossing saga… The context she creates for him is extensive, and she documents it dazzlingly. The result is an illuminating portrait taken from more angles than Mapplethorpe ever used in his photography.
I love shoes and this delightful memoir shines a light on all things shoe, as well as all things personal. Patricia Morrisroe’s life unfolds through her wedges, ruby shoes, t-strap heels, and Manolo slingbacks. As I read it, all my memories came back in a flood, and yours will too.
Author of Sister, Mother, Husband, Dog: (Etc.)
Provocative and witty.
The cool handling of hot material, which gave Mapplethorpe’s work its characteristic edge, also distinguishes Morrisroe’s account of the work and the life… She has created a kind of postmodern portrait of the artist… One of the books strengths is her elegant discussion (and description) of Mapplethorpe’s photographs…What she has done is bring his character, and its context, alive.
Cheerfully anecdotal… a journalistic stunt-a-thon full of deadpan funny adventures… a fine firsthand look at insomniac eccentricities.
Bursting with fresh revelations, Wide Awake is a mesmerizing exegesis on sleep and its discontents, written with wit, charm, and, above all, wisdom born of Morrisroe’s triumphant struggle with insomnia.
author of At Day’s Close: Night in Times Past
The book is the closest thing to an amusing chat on sleep (with someone who listens, understands, and cares for you) that I have ever found.
A comprehensive study of the culture surrounding sleep.
Morrisroe hits the mark … A funny, warm and insightful trek through one woman’s life and American popular culture—a successful blend of form and function.
9 ½ Narrow is an utterly charming — I might say fleet-footed — memoir about entering life with big (but narrow!) feet and bigger dreams. Patricia Morrisroe depicts the agonies of growing up as a born sophisticate in a Catholic family and a small town with an enviable lightness of touch — and a comic’s sense of timing. It is hard to read this book without laughing — or occasionally grimacing — in recognition at the truth of an observation or situation, leaving you wondering how someone else has figured out exactly how you feel about everything from getting a bad perm to Bergdorf’s shoe department.
Author of The Fame Lunches
This ebullient memoir chronicles a woman’s life through the shoes she’s loved…Morrisroe shows how our footwear tells our stories and reveals our character.
An utterly admirable biography… This is a courageous book; Morrisroe went to the bottom of the box and did not flinch at the things she found there… The clarity and honesty of Morrisroe’s portrait are worthy of its subject.